Olds Super Recording Models

The lettering and decoration on post war Super and Recording Super instruments was photo engraved rather than hand engraved.

When Olds introduced the Super Recording Model trumpet and cornet in about 1940, they had been making trumpets for about twelve years and trombones for at least ten years before that.  They had introduced the Super Olds trumpet (from which the Recording was derived) a few years prior to this and it had become quite popular.  

Olds had been experimenting with new bell designs and it is possible that the earliest Recording models utilized one of the early Super trumpet bells, but in later production they were distinct.  The bell tail was longer, which placed the valve section more forward.  This was somewhat like the Selmer Balanced model that Louis Armstrong had started using exclusively in 1933.  In addition, the second valve was offset to the left, putting it more easily under the second finger.  

Olds had made trumpets with the offset second valve previously, but now it was part of a specific model design.  One of these earlier trumpets is #2931 made about 1936 according to factory records, is in the photo below.  I sold this trumpet to collector Arnie Ruskin and it is now in the National Music Museum.  

The Super Recording trumpet was actually designed for use in the recording studio and specifically for Harold Mitchell, who at the time, was the most sought after for this work.  Harold Mitchell's son, Ollie, still owned that first Olds Recording trumpet at the time of his death in 2013.  Ollie had his own very successful career as a studio trumpet player.  I have not been able to determine the date that the first Super Recording trumpets and cornets were made, but they were not yet offered in the 1939 Olds catalog. I believe that the the first two were made in about 1939. The image below is from the 1941 catalog.

Page from 1941 catalog.

The next photo is Harold “Pappy” Mitchell's first Recording trumpet, serial number 6085 and after that is number 6086.  This now belongs to Southern California architect and designer, David Rich, who purchased it from Harold Mitchell in about 1942, when Ollie was serving in the military in Europe.  David was in high school and taking trumpet lessons from the elder Mitchell at the time.  Notice that both trumpets have the same, odd, mouthpiece receiver.  David told me that it was installed on his by Dominic Calicchio very early on, to reinforce the receiver.  I have not experience any weakness in the receivers of Olds trumpets from these years, making it a surprising addition.  These two trumpets are both the large (.462") bore that was only offered in Super trumpets and cornets before the war.

The first Recording trumpet made for Harold Mitchell.

The second Recording trumpet made for Harold Mitchell.

The Super Recording trumpet shown in the first three photos above and below was made about 1947, the last year for this model, and retains the original case, mouthpiece, lyre, warranty and inspection cards.  It also has its original lacquer, showing modest wear from a previous owner who obviously took excellent care of it.  This is exactly as I received the trumpet, needing no repairs.  The over all length, not including mouthpiece, is 19 1/16" (18 7/8" from bell rim to bell curve), the bell rim diameter is 4 3/4" and the bore measures .460".

The cornet shown was built about 1941.  It has been refinished but is otherwise in excellent original condition.  The explanation for its perfect state of preservation that was told to me is that it was never lacquered originally but given to the case maker (Lifton) as a model for making the cases for Olds and retained by them for many years, even after the Recording cornet was redesigned.  The mouthpiece shown is from the period, but did not come with this cornet.  The nickel silver "Tone Ring" was hand engraved on the earlier Super models as apposed to the photo engraved lettering on the later instruments.  The length, not including mouthpiece, is 14 1/4", the bell rim diameter is 4 7/8" and the bore measures .465".

Super Recording model cornet made about 1941.

Hand engraved “tone ring” on 1941 cornet.

The last photo is a nickel silver tag that labeled the prototype or shop model Recording Model cornet valve section when it was redesigned in 1948.  A portion of that valve section still exists in my collection, but was unfortunately mutilated while still in the Olds factory.

Shop tag from prototype Recording model cornet valve section when it was redesigned.